THE
SHELL SEEKERS
Theatre
at Baddow in the Parish Hall
10.05.13
Rosamunde
Pilcher's best-selling family saga, adapted for the stage by Brady
and Bingham, is a big ask for an amateur group.
It
has a large cast, it skips between decades and locations, and its
emotional heart can seem elusive.
David
Saddington's set was a model of economy, fitting the café, the
Cornish studio, the beach, the Cotswolds cottage and its garden into
a very restricted space. It all worked very well in Pauline
Saddington's capable production, except that the patio doors felt
awkward and tended to cast distracting shadows. [Perhaps
cut off in a wavy line at one-third height, which might even allow
for perspex in the frame]. And the ends of scenes, often with
a line heavy with feeling, lost some significance in the frequent
fades to black.
Not
all the actors were comfortable in the easy middle-class milieu, but
splendid work from Nicola Marsland as Nancy, who can't leave well
alone, with Russell Everard as the hen-pecked worm who turns, and
Roger Saddington as her brother Noel. The young people, who are also
ghosts from the past, were Claire Lloyd as Antonia and John Mabey as
the gardener Danus. Lawrence Stern [not the
Shandy man, just as Cosmo is not the magazine of Joanne Gent's
Olivia], the painter whose Shell Seekers hangs in pride of
place, was compellingly played by Peter Nerreter. The inimitable Rita
Vango brought touching pathos to Penelope, whose story this is,
especially when she was recalling the smell of her father's studio or
quoting McNiece.
September
has come, it is hers
Whose vitality leaps in the autumn,
Whose nature prefers
Trees without leaves and a fire in the fireplace.
So I give her this month and the next
Though the whole of my year should be hers who has rendered already
So many of its days intolerable or perplexed
But so many more so happy.
Who has left a scent on my life, and left my walls
Dancing over and over with her shadow
Whose hair is twined in all my waterfalls
And all of London littered with remembered kisses.
Whose vitality leaps in the autumn,
Whose nature prefers
Trees without leaves and a fire in the fireplace.
So I give her this month and the next
Though the whole of my year should be hers who has rendered already
So many of its days intolerable or perplexed
But so many more so happy.
Who has left a scent on my life, and left my walls
Dancing over and over with her shadow
Whose hair is twined in all my waterfalls
And all of London littered with remembered kisses.
1 comment:
i disagree with your comment on the accents, not all of them should have been that upper classed due to their characters also highlighted in the play
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