FOLLIES
Pied
Pipers at the ADC Theatre, Cambridge
27.04.13
My
first "Follies" was an amateur production – a student
company from the States brought their version to the Edinburgh Fringe
in the late 70s.
The
chief problem is finding singing actors of the right ages for
Sondheim's characters. A problem not resolved in Cambridge: the
overlap of ages softened the impact of this story of neuroses and
nostalgia.
But
Jacob Allan's production did boast some very fine performances,
especially in the second half. Steve Waring was an excellent Buddy.
His aggressive/tender The Right Girl was spot on, his "two
ladies" Blues a delight. Toni Grantham sang Losing My Mind
impressively, in a lovely diva dress. Costumes, of which this show
requires loads, were an issue elsewhere, the wrinkly body stockings
and the shiny fabrics not enhanced by the haphazard lighting, which
did no favours to the set, either, its stairs contriving to hide most
of the entrances behind painted woodwork. Rachel Bye, though far too
young to have lived Carlotta's life, handled her anthem very
effectively – a highlight of the show, as it should be.
Trenetta
Jones brought big-hearted honesty to Phyllis, well matched by her
younger self, Camille Jones. Indeed, all of the youngsters made a
fine job of their roles. I found Matthew Chancellor's Ben a major
weakness, lacking the dramatic intensity needed for the dialogue, and
for his numbers.
And
it was a shame that the emotion and the impetus were allowed to
flat-line occasionally.
In
the smaller roles, enjoyable work from Richard Socket as Dimitri,
Anna Murgatroyd as Heidi, Norman Grantham doubling as Max and
Vincent, and Kirsty Smith as Solange, though the whole vaudeville
Montage seemed underpowered.
Lucas
Elkin was MD, the band, as often at the ADC, in a room down the corridor, with some loss of immediacy, though I did appreciate the
cocktail piano live on stage. Follies was choreographed by Emma Olley
– the Mirror number impressively tapped, though no room for proper
dance-class looking-glasses, alas …
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