VERDI
REQUIEM
Waltham
Singers in Chelmsford Cathedral
16.03.13
Celebrating
forty years of music-making, the Waltham Singers filled Chelmsford
Cathedral with Verdi's gloriously theatrical Requiem.
Andrew
Fardell has been at the helm for most of those years, and his
inspirational direction was never more in evidence than here [the breathless silence after the final bars a measure of the effect of this memorable milestone]: the
dramatic dynamics were carefully measured, allowing some effects of
contrast – hushed murmured "requiem aeternam" against
apocalyptic "dies irae" – which counted for much more
than mere firepower. The thundering drum beats were given added
impact by a brisk tempo and excellent diction from the choir, who
were on magnificent form here, especially in the closing Libera Me,
the energetic double chorus Sanctus and the sincerely sung Agnus Dei.
Mixed
fortunes from our quartet of soloists: Phillip Joll's baritone was a
commanding presence, and John Pierce's tenor made a fine entry in the
Kyrie, and a polished Hostia. When the voices of Sarah Pring and
Kimberly Myers blended, in the Recordare, say, or the Agnus Dei, the
result was spell-binding. And Verdi would surely have approved of
Myers' fervent prayer in the moving final moments, serendipitously
backed by the chimes of the Cathedral clock.
The
orchestra was the splendid Salomon, making a huge contribution to
the impact of this performance, with superb work from the brass, not
least the trumpets sounding the Tuba Mirum.
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