THE
HAUNTING OF HILL HOUSE
Chelmsford
Theatre Workshop at The Old Court
28.10.2014
Cleverly
placed for Halloween, this theatrical horror story successfully
attracts those seeking thrills and chills in the Old Court stalls.
There's spookily dim lighting in the foyer, and the auditorium is
swathed in sombre gauze.
The
play itself is adapted from Shirley Jackson's best-seller by F Andrew
Leslie [though neither gets a credit in the programme]. Director
Jacob Burtenshaw has thrown in a few twists of his own, too, sexing
up the show with shocks and spectres, guignol
and eerie laughter.
It's
a weird story of
“murder, scandal, insanity and suicide”:
a
“man of science”, addressed as “Doctor”, arrives at Hill
House to investigate psychic phenomena, bringing three susceptible
guests to help him. He begins by reading, deadpan, from his report,
but soon starts talking such utter balderdash - “some
houses are born bad” -
that it's hard to imagine which seat of learning could have given him
that PhD. Worse, his batty wife and her “friend”, headmaster of a
prep school, turn up with their planchette to throw a spanner in the
ghost-hunter's works.
CTW's
production is redeemed by two things: excellent actors, and some
really scary
moments;
as with last month's chiller, The Birds, it is the unseen which is
most unsettling – terrifying knocking on the doors, an effective
blend of live sound and recorded effects. I
liked the use of torches to accentuate the darkness. The set, too, is
nicely realised – the dolls, the crucifix, the doors and the
oxblood leather sofa, which quite possibly has its own agent ...
Leading
the cast, Joe Kennedy as Montague, and Laura Bradley giving a
terrific performance as the shy,
dowdy Eleanor, who is drawn into the aura of the house with tragic
consequences.
Strong
support from the others, notably Caroline Webb as the Housekeeper,
stroking her keys with manic malevolence, Regan Tibbenham, a total contrast as the other girl in the house, and Britt Verstappen as
Eleanor's spectral alter ego.
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