INTO
THE WOODS
Witham
Music Theatre at the Public Hall
10.09.11
Witham
Music Theatre have made something of a specialism of Sondheim's
witty, wordy, intelligent entertainments.
On
this showing, my only regret is that I've not seen their earlier
work. An accomplished young cast made a really professional job of
this tricky score, in a production, directed by Philippa Johnson,
which used a simple, stylish staging to let Sondheim's moral fairy
tale speak for itself.
Black
and white line drawings on screens, Pienkowskiesque silhouettes for
the tree, climbable hair for Rapunzel, massive specs the only
evidence of the Giant.
Very
much a family affair, it would seem: patriarch Lewis Marks
[Philippa's husband, if I understand aright] making a fine narrator,
all from memory, though sometimes not well lit. Luke Marks was a
hairy, lairy Wolf, as well as Rapunzel's Prince, while Jacob was
Cinderella's Prince – the pair of them duetted brilliantly in
Agony, with matching boots, beards, hobby-horses and princely
habiliments. Samuel was an engagingly innocent Jack, with his long
auburn hair and “sunny disposition”, and Joshua was his
cud-chewing Milky White, giving the best “death of a fairy-tale
cow” you're likely to see on any stage.
Grace
Branch was a wonderful Little Red Riding Hood, “pink and plump”,
and Jennifer Branch a powerful Witch, especially after her elegant
transformation. She sang her solos with passion and polish.
The
Mysterious Man is a difficult role to carry off, and I wasn't
entirely convinced by Matt Ashworth's white-clad joker; Zoe Rogers
was excellent as Cinderella, and Thomas Holland made a touching
Baker, with Matilda Bourne as his wife.
But
not a weak link in this large cast - I can only imagine the work that
must have gone in to bringing this challenging piece to life. The
sympathetically amplified singing was superb, as was the pit band,
under the Musical Direction of Hans Montanana.
I
loved last year's innovative production in Regent's Park, and was
prepared to make allowances for this local amateur version.
Absolutely no need – just as enjoyable, and in many ways more
immediate, more affecting for being home-grown and made with love.
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