GIGI
Hutton
Players at Brentwood Theatre
21.11.2014
Colette's
classic tale is a delicate flower. Didn't really survive the hothouse
Hollywood treatment; blossoms much better in Anita Loos'
dramatization, chosen by Hutton Players.
June
Fitzgerald's production is suitably stylish – red drapes for salon
and boudoir, period furniture, and, lovely touch, a mirror in the
hallway allowing a furtive glimpse of callers as they arrive and
depart.
The
two grandes cocottes, whose mission is to launch the child Gigi into
the demi-monde,
are splendidly brought to life by Lindsey Crutchett as Grand'maman,
and Liz Calnan, the epitome of elegance as Aunt Alicia. Gigi's fey
maman,
chorine at the Opera Comique, is given an amusing but sympathetic
performance by Romy Brooks, who also manages the shaky, shrill
soprano with aplomb.
Sterling
work below stairs from Gary Ball as the laconic butler and Hilary
Andrews as the pert bonne
à tout faire.
Jake
Portsmouth, as the sugar magnate who falls for the lanky schoolgirl,
captures the suave exterior – top class tailoring – but is too
callow to
convince as the notorious man about town. His sudden dramatic
proposal is very effective, though, and his affection for the young
Gilberte is beyond doubt.
The
title role is taken by Eleanor Burgess – better as the tomboy
teenager than as the seductress in a Jeanne Paquin gown, but we feel
for her as she listens helplessly at doors, and spiritedly rejects
the shallow life of celebrity.
Lovely
costumes. A cleverly designed double set, carefully lit. The music
less impressive;
Adolphe Adam, name-checked with Delibes in the script, might have
covered the scene changes and set the fin-de-siècle
mood. A great Offenbach curtain call, though. And there's a good deal of French amongst the American idiom –
an evening with a dialogue coach could have enhanced the credibility
of some of the cast.
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