BARNUM
Chichester
Festival Theatre in the Park
31.08.13
"Barnum’s
the name, P T Barnum, and I want to tell you that tonight, on this
stage, you are going to see - bar none - every sight, wonder and
miracle that name stands for!"
Well,
he was always the king of hype, and, while this new Barnum has lots
of colour and circus action, there are holes at its heart that make
it difficult to love.
The
auditorium is certainly impressive – circus tent on the outside, a
near-replica of the old auditorium within. Should be an ideal space
for this show … But for me, there is none of the warmth and
immediacy we've come to expect; a lot of the energy, and the
decibels, seem to be lost in the lofty rafters.
The
show, even after careful tweaking by Cameron Mackintosh and others,
even with Chichester's track record and Director Timothy Sheader's
expertise, fails to set the world alight. The numbers are snappy,
though, the choreography often impressive: the stairs and the
dressing table, the one brick at a time routine.
Barnum's
story is full of incident, but short on drama. And Christopher
Fitzgerald's pocket-sized PTB, strong on energy and circus skills,
lacks the charisma, and sometimes the voice, to carry the role. His
long-suffering, sensible wife Chairy is nicely done by Tamsin
Carroll. A brilliant ensemble tumbles and abseils round and about the
action, and there are very pleasing cameos [all genuine Barnum
freaks] by Aretha Ayer as Joice Heth ["the oldest woman in the
world"], Jack North as a very lithe General Tom Thumb, and Anna
O'Byrne as the Swedish Nightingale. Her entrance on the swing,
stunningly lit, is, like North's number with Jumbo, a definite
highlight.
Every
effort is made to get the show across the footlights – performers
and brass players venture up into the audience – but while we might
walk back across the park whistling Follow The Band, we don't feel
that this was an exhibit that begged to be revived. I'm not expecting
to see this follow Singing In The Rain and The Pajama Game into the
West End …
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