DIAL
M FOR MURGATROYD
Eastern
Angles at
the Sir John Mills Theatre, Ipswich
01.12.2012
Amateur
sleuth
Miss
Murgatroyd
is
summoned
from
her
quiet
Little
Inkling
village
to
the
Fitzall
family
seat
at
Great
Clumping
– we're
in
Agatha
Christie
territory
for
this
country
house
murder
mystery,
the
25th
Christmas
show
for
Eastern
Angles,
and
the
13th
created
by
the
matchless
team
of
Julian
Harries
and
Pat
Whymark.
They'll
do
seventy-six
shows
over
the
next
couple
of
months,
in
Woodbridge
and
Peterborough
as
well
as
their
home
at
the
Sir
John
Mills.
Dial
M
for
Murgatroyd
is
two
hours
of
madcap
fun,
with
songs,
dance
and
just
a
little
audience
participation.
As
usual,
a
virtue
is
made
of
the
necessity
of
doing
much
with
little
– the
economy
is
often
the
joke:
doubling
actors
suddenly
leave
the
stage,
and
in
one
priceless
sequence,
exchange
dialogue
as
both
Murgatroyd
and
the
Scottish
rubber
baron
Sir
Gerald
Bartrum.
This
is
the
amazingly
versatile
Patrick
Marlowe,
who
also
gives
us
the
lusty
butcher
Mr
Prickett,
the
strange
Sergeant
Ramirez,
a
girl
guide,
a
tramp
in
the
woods
and
Braintree,
the
butler.
The
scenery
and
props
are
similarly
minimal:
a
tiny
library,
a
minuscule
butcher's
shop,
a
handlebar
bicycle,
a
dashboard
car
and
a
Morrison's
trolley
aeroplane
all
have
their
part
to
play.
The
gratuitous,
surreal
and
silly
wing-walking
number
is
a
high
point,
and
I
also
liked
the
clever
"Agree
to
Differ"
duet,
and
the
Village
chorus
that
opens
and
closes
the
show:
"the
butcher,
the
baker,
the
grim
undertaker"
...
Harries
himself
plays
the
piano
accordeon,
the
slightly
soft-headed
Fitzall,
the
alliterative
Bertie
Blue
from
the
Butler
Bureau,
and
the
plodding
Inspector
Jessop.
Lady
Violet
Fitzall,
whose
letter
brings
Miss
M
to
the
crime
scene,
is
played
by
Emma
Finlay,
who
also
goes
deliciously
over
the
top
as
the
mysterious
Mad
Meg.
Georgina,
the
Fitzall
daughter,
adventuress
and
prime
suspect,
is
Deborah
Howlett,
and
another
newcomer,
Samuel
Martin,
plays
the
librarian,
butlers
Barking
and
Wivenhoe,
the
fey
Fenton
Fitzall
and
a
mean
fiddle.
Yes,
there
are
Essex
jokes,
Ipswich
jokes,
plenty
of
puns
and
sneaky
smut,
owls
and
sheep,
marrow
double
entendres,
cross
talk
routines,
echoes
of
Blackadder,
Round
the
Horne
and
even
panto,
all
delivered
with
wild-eyed
relish,
irrepressible
energy
and
a
mischievous
sense
of
fun.
It's
the
plum
pudding
to
the
panto's
turkey
and
trimmings:
no
big
names
or
big
egos,
no
glitter
or
glamour,
just
five
brilliantly
funny
performers
and
Penny
Griffin
setting
the
props,
manning
the
board
and
keeping
the
whole
show
on
the
rails.
production photograph: Mike Kwasniak
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