Chelmsford
Theatre Workshop at the Old Court
23.09.11
How
to make Gogol's classic satirical farce work for our times ? Bungs
and backhanders are no less prevalent than they were in19th
century Russia, I'd guess, but the characters are very much of their
era.
The
Young Vic this year chose a traditional take, involving the audience
in the cartoon world of small town politics. Danny Segeth, for
CTW, took a more radical line. A cast of young comedy actors, a black
box, a version [after Alistair Beaton] which moves everything to
today's UK, and a generous dollop of physical theatre.
How
successful this approach is will depend on how amusing you find the
performances, and whether you can accept a world with emails but no
phones, where the Mayor actually runs the “nasty little town”,
vodka and madeira are the tipples of choice and fresh salmon is
delivered to the hotel restaurant.
Gold
star for effort to Ian Eagleton, whose Director of Education was a
mass of tics and grimaces, speechless with nerves. Joe Kennedy was a
greasy, greedy Mayor, and there were two nice double acts, from John
Mabey and Anna Rogers as the gossips, and from Fabienne Hanley and
Leanna Johnson as the Mayor's grotesque wife and daughter – think
Ugly Sisters. As the mystery inspector, James Christie used his
comic presence to excellent effect – his drunk scene was masterly –
and he was well supported by Gemma Robinson as his valet [in this
version a slightly superfluous “friend”].
Especially
at the start, a more manic pace would have suited the style, but
there were lovely sequences, such as the planning of the inspections,
and Khelly trousering “loans” from a queue of frightened
officials. The movement work was directed by Catherine Hitchins: I
liked the final sequence [“Regret”] which forced us to reflect on
the human failings behind the farce.
production photo: James Sabbarton
production photo: James Sabbarton
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