CHICAGO
SUMMER SCHOOL
Tomorrow's
Talent at Little Waltham
14.08.11
They
pulled it off last year with a pared-down, no-frills Cats; this year
the even more demanding, infinitely darker Chicago, the three-ring
circus of Cook County Jail, where celebrity is a drug and murder is
entertainment.
Gavin
Wilkinson's karaoke version was hard-hitting [though they did “pipe
down the swearing”] and caught the steamy atmosphere to perfection.
No lighting to help, nor sound reinforcement, just these madly
talented young people [average age 14 or 15], inventive choreography
and stunning stagecraft. And the chairs of course, used with flair
and imagination. The precision of the movements, the depth of the characterizations were an incredible achievement in less than a week.
A
very strong ensemble, all of them characters in their own right, and
very effective in the big numbers – the sisterhood tango, Razzle
Dazzle complete with knife throwing act. Sam Toland was a touching Mr
Cellophane, Ashton Reed played seasoned vaudevillian Velma, with
dance captain Liz Pilgrim as Mama Morton. Some of the best character
work came from wannabe celebrity Roxie [Sophie Walker], and her
mouthpiece Flynn, a very stylish Josh Butcher. Their impeccable
quick-fire duet, which blossoms into a full-blown riot of dance
moves, was brilliantly done. I could believe that sequence alone took
five days to set, but no, the whole hour was polished and perfected
from scratch in that time. Sixty minutes of energetic, emotional
musical theatre, and still oomph enough for the Hot Honey Rag and a
fantastic finale.
production photograph by Louise Freeland
1 comment:
I attended the early performance and was frankly astonished at how polished it was. Musicals are notoriously hard to stage, let alone one with Bob Fosse choreography! I can honestly say that I've been less impressed by productions that have rehearsed for 6 months! These kids can feel justly proud of themselves.
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