Showing posts with label HIGH SOCIETY. Show all posts
Showing posts with label HIGH SOCIETY. Show all posts

Tuesday, May 19, 2015

HIGH SOCIETY

HIGH SOCIETY
at The Old Vic Theatre
16.05.2015


The Swell Party starts, after a lengthy pre-show, with a party piece. Joe Stilgoe, son and heir of Richard, is left alone at the on-stage grand to show off by asking the audience for tunes to weave into virtuoso variations.
Take Five, George Michael, O Mio Babbino Caro, Moon River – a great medley, and a hard act to follow, frankly. Especially as High Society is no Anything Goes. A compendium piece, with Cole Porter numbers from various eras, and a Philadelphia Storyline about the romantic tangles of the Long Island idle rich.
Maria Friedman's slick, inventive staging uses the tiny performance area – about the size of an ocean liner dance floor, audience on all four sides – with movement and magic, highlighting some excellent period performances. Kate Fleetwood is socialite Tracy Lord, whose ex [a brilliant Rupert Young] turns up on the eve of her wedding to wooden, humourless Kittredge [Richard Grieve]. The plot is charmingly thickened by two undercover journalists – Jamie Parker and Anabel Scholey. Many stellar performances further down the bill, too, from Ellie Bamber as the tomboy younger Lord sister, Barbara Flynn as their mother, and a bearded Jeff Rawle twinkling away like Dickie Attenborough as tipsy Uncle Willie.
The chorus comment on the action, shift the furniture, and cook a sunnyside-up breakfast grill at the side. The curtain calls have not only brilliant choreography but even a musical backing synchronized with the characters.
Two stand-out numbers among so many standards [and the odd archaeological specimen] – True Love, with the eponymous model boat on the projected pool and later in the circle as the stalls seemingly fill with water, and a stunning Let's Misbehave, with Stilgoe joining MD Theo Jamieson at two pianos, and Nathan M Wright's choreography including a tap routine on the lid of the grand.
I've high hopes of Chichester's two musicals for 2015, but I'm not sure that even they can come up with a production number to beat that memorable Let's Misbehave.