Blackmore
Players at the Village Hall
11.06.15
for Sardines
Blackmore
on splendid Fifties form for this classic tale of the alien avocado
invader.
It's
a cult show, and comes encrusted with traditions worthy of D'Oyly
Carte. The Players pay homage to most of them, but manage to keep the
show fresh and immediate.
The
audience is immersed in the action from the off, with hobos and
hookers and all the noisy denizens of Skid Row roaming the auditorium
in search of a trick to turn or a bench for the night. And we are all
immersed in the show, too, with a traverse acting area [impressively
paved]. Especially effective for the nightmare dentist sequence, with
Rob Lewis-Jones's wonderfully terrifying semi-sadist entering through
green smoke and terrorising poor Seymour right under our noses. It's
a risky strategy, particularly for a musical with everyone miked up,
but the only down-side was an audible buzz under some dialogue.
This
is a rural community group, with strictly local talent, performing in
a multi-purpose village hall [with one of the most keenly priced
theatre bars in the land]. But no compromises are made, in a great
example of what can be achieved with inspiring, clear-sighted
direction [Bill Edwards in the hot seat for this one, with
choreography by Denise Jackson]. There's no pit, of course, but a
great little band in the corner, with MD Shirley Parrott at the
keyboard.
The
cast is impressively strong. Craig Stevens makes a nicely nervous
Seymour, with his geeky specs and baseball cap – superb singer,
too. His Audrey is Lisa Rawlings; vocally assured, carefully
characterized. It's a pity she gives most of her big number sitting
on the stoop, invisible to almost all the audience.
Audrey
II – the star of the show, really, with its multicoloured warts and
gore-stained maw – is excellently voiced by Bill Edwards himself,
with the expressive flora [uncredited] manipulated by John Hughes.
Mushnik,
gravel-toned and fundamentally jolly despite everything, is
engagingly played by Simon Haskell, who also provides the portentous
voice in the prologue.
The
three backing singers – Ronnette, Chiffon, Crystal – are
authentically sung by Gail Hughes, Sandra Trott and Amy Pudney, with
stunning show dresses for the finale; perhaps they could have been a
little more engaged with the plot emotionally, though.
Memorable
cameos from many others, including Charley Magee's Bernstein and
Martin Herford's Skip Snip, and a big bold chorus of all ages and
abilities.
Lots
of detail to admire, even to those of us who are very familiar with
the show. A nice new clock after renovation, with Mushnik's favourite
fedora still hanging underneath. A nice brickwork scene curtain; I
longed to see an actor walk across with it – much more dramatic.
And a brilliantly helpful glossary in the programme, with useful
reminders of Vitalis, Lucille Ball and Hedy Lamarr ...
production photograph - Kira Louise Photography
production photograph - Kira Louise Photography
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