ELGAR AND THE
GREAT WAR
in
Brentwood Cathedral
05.07.14
This
magnificent collaboration made a mightily impressive opening to the 2014 Brentwood Arts Festival.
Elgar's
Spirit of England, written in the darkest days of the war, sets words
by Laurence Binyon for massed choirs – here the Brentwood Choral
Society, the Cathedral Singers, the Hutton and Shenfield Choral
Society and the Ingatestone Choral Society – and soprano. Emily
Onsloe's pure, powerful voice was heard to stunning effect,
especially in the second movement, “To Women”, and echoing the
familiar words of “For The Fallen” - We Will Remember Them.
Wonderful
to hear this unique wartime cantata live, in all its patriotic
glory – dedicated
by the composer “to
the memory of our glorious men, with a special thought for the
Worcesters”.
The
concert, with support from the Elgar Society, included some lesser
known works from the period: Carillon, a rallying cry from 1914,
accompanies a poem by Emile Cammaerts, its mood ranging from dying
leaves and sacrifice to martial vengeance. And
Le Drapeau Belge in similar vein from three years later.
The texts
magnificently
delivered by actor Malcolm Kimmance. We heard the familiar Sospiri,
and Polonia, a sort of Pomp and Circumstance for Poland. The superb
orchestra was the ELMS Symphony, conducted by Andrew Wright.
Brentwood
student Julia Cockcroft joined them as soloist for Elgar's moving
Cello Concerto, written in the aftermath of war, and deeply
nostalgic. She played it with an eloquent legato, the phrasing in the
Adagio third movement particularly poignant, while
the orchestra, under David Pickthall, captured the elegiac
majesty
of
Elgar's last great work.
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