CRANFORD
Hutton
Players at Brentwood Theatre
04.04.13
Not
easy to put Mrs Gaskell's charming stories onto the stage. Luckily,
in Martyn Coleman's 1951 version, she's on hand to help. Her portrait
replaces the title cameo, and her disembodied voice [Lindsey
Crutchett] guides us into Miss Matty's finely furnished parlour.
The
tinkly doorbell is rarely silent, as a succession of bonneted callers
bring fashion tips and gossip to share over a tisane or a hand of
Preference.
Character
work to relish from Julie Salter as Betty Barker, Margaret Corry as
the snobby Mrs Jamieson, and Jean Morris superb as little Miss Pole.
Kathy Smith makes a lovely Lady Glenmire, the only true aristocrat,
and the least pretentious.
Claire
Hilder is the young Mary Smith [the author in her youth], friend of
our hostess Miss Matilda Jenkins, who is confidently played by Amy Clayton.
Entertainingly frustrated by her new maid, later her landlady
[Laura-Leigh Newton], Clayton is at her best perhaps in the few
sombre moments, facing financial ruin or the death of an old love.
The play leaves her pushing Pekoe to her social circle.
An
almost exclusively female circle, enlivened by Martha's "follower"
Gary Ball, and the bluff Hoggins [William Wells], a fan of Pickwick,
published in instalments, like Cranford itself.
This
most enjoyable dramatization remains remarkably
faithful to the style and the culture of the book, notwithstanding
nods to nudity and bondage [neither of them on stage, thank heavens,
and neither of them anywhere to be found in Mrs Gaskell's chaste
pages …]
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