ANNE
BOLEYN
Shakespeare's
Globe tour at the Arts Theatre Cambridge
17.03.12
A
huge touring company – fruitful collaboration between English
Touring Theatre and Shakespeare's Globe – begins its travels at the
Arts in Cambridge.
John
Dove's première production of Howard Brenton's fascinating and
intriguing piece survives very successfully the transfer to what must
be one of the smallest stages of the tour. The Globe setting is
evoked rather than replicated, with a single tree and a tiny
musician's gallery.
One
of the few scenes actually to benefit from the claustrophobic
intimacy this allows was the moment when Anne is arrested, and is
left alone amid an uncaring court.
Jo
Herbert is a magnetic Anne, charming the audience, and her Henry,
with her direct, flirtatious manner. Difficult to achieve the rapport
with the house when darkness makes us invisible, but she succeeds,
especially in her final farewell. Survivors from 2010 included Colin
Hurley's woolly Wolsey, Michael Bertenshaw's solid Cecil, and James Garnon's amazing King James. And
another chance to shudder at Julius d'Silva's Cromwell, career
politician and ruthless schemer. A new Villiers in Michael Camp: an
impressively honest performance, though the comic timing needs a few
more previews to perfect.
It
was good to chat with the players beforehand [another relic of the
Globe original] – we learned that Lady Celia graduated from
Fitzwilliam in 1997, and that "Steamy", though daunted by
the old hands who arrived word perfect at the first rehearsal, was
made welcome by a friendly company, and is hoping to see the show
garner some five star reviews when it plays to the national critics
in Brighton …
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