AND
THEN THERE WERE NONE
Chelmsford
Theatre Workshop at the Old Court Theatre
02.03.15
Dame
Agatha dragged kicking and screaming into the 21st
century. “There
you go, a new version – up to date!” A
“new imagining”, directed by Joe Kennedy and Alex Houlton.
The
plot of her wartime hit – as splendidly improbable as Murder on the
Orient Express – survives more or less intact. Like Kevin Elyot's
reworking, it restores the bleaker ending of the novel, with only the
crazed killer alive to tell the tale.
The
setting is still that island off the Devon coast – cut off from the
mainland, with no mobile signal. The holiday home – stylishly
realised here, though
I would have liked bigger figurines and the nursery rhyme
incorporated somehow
– has no heating, but a working DVD player, spookily replacing the
phonograph for the disembodied voice.
And
the ten guests still gather for a House Party, where one rings for
the servants and one calls one's equals by their surname. The
dialogue wobbles once or twice - “beyond questionable doubt” - “I
have nothing with which to reproach myself for” - and do people
still go to “the pictures” ?
Christie's
characters make the transition with varied success. They're mostly
far too young – even the one surviving Cluedo character – General
Mackenzie [touchingly
done by David
Stutchbury]. The judge is now an attractive woman
[played with compelling presence by Rhiannon Regan]. The husband and
wife domestic staff have
become
Irish sisters [Sally Ransome and Marie McNulty] and the retired
copper is now a feisty private
detective, strongly characterized by Hannah Sanger-Gowers. Among the
more successful portrayals are Debbie Miles' Miss Brent, forever
quoting her unconvincing Bible, and Jacob Burtenshaw's pistol-packing
“soldier of fortune”.
Inevitably
there's a good deal of static exposition before the cyanide kicks in,
but after the interval – when we get a chance to
decide
whodunnit – the pace is racked up, there's a tense “duel”
between the two survivors and a pacy dénouement before we're left
with a Red Right Hand and the mark of Cain ...
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