WAR
AND PEACE
Chelmsford
Singers at Chelmsford Cathedral
28.03.15
Seventy
years ago, the Allies, Canadians in the forefront, were busy
liberating the Netherlands. In a matter of weeks, the war in Europe
would be over.
This
timely concert commemorates the end of WWII, with a masterly
sequence, beginning with Richard Tanner's setting of Desmond Tutu's
Prayer for Peace. More of an affirmation, in truth, with powerful
singing from the choir, and a moving diminuendo at its close.
The
accompanying musicians – Tim Carey, piano, Joy Farrall, clarinet,
David Juritz, violin, and Adrian Bradbury, cello, played five
movements from Messiaen's extraordinary Quartet for the End of Time,
written and performed in a German PoW camp. Farrall
exploited the clarinet's versatile voice impressively in The Abyss of
the Birds; Carey and Bradbury gave a wonderful account of the
mesmeric Homage to the Eternity of Jesus. It
would have been good to hear the whole work, especially in the
context of this “meditation”, as the Dean called it, which
concluded with Annelies, by James Whitbourn.
It
is a tuneful
musical
setting of words from Anne Frank's diary, haunting
and heartfelt without ever being sentimental -
a unique opportunity to share the experience of this most intimate
writing with the musicians, the choir and the audience in the
Cathedral. The
composer's palette encompasses sounds and symbols from life in the
Amsterdam annex, moments of Music Hall, Bach
and plainchant, with
clarinet and violin giving a Jewish colour to much of the scoring.
Nicola
Howard, soprano, gave an operatic – in the best sense – reading
of her sequences, bringing the character to life, lifting the notes
off the stave. The
choir, under the empowering baton of James Davy, gave an expressive
account of the many different moods and emotions: the determined
trudge of We're Jews in Chains, the optimism of the spring awakening,
and the passion of the Kyrie, a plea for mercy between Anne's
nightmares – the dread of discovery, bitter sadness for the loss of
friends.
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