BIRDLAND
Chelmsford Theatre
Workshop at The Old Court Theatre
24.05.2016
“Take
me to the distant past; I want to go back...” Everything
Everything. Pre-show music for our hero, perhaps, a rock-star rake
who ends up wondering how he fetched
up here – in debt and in disgrace, too famous to live a normal
life.
Fame
as Faustian pact, rock god
losing it; they're not exactly original ideas, and this play, a 2014
work from
Simon [Curious Incident] Stephens sometimes loses its way. But it's
given a bold, in-yer-face outing by CTW, on a thrust stage,
dramatically lit, with a suggestion of an arena rig behind the
action. White noise, not rock
music, links the many scenes.
Paul,
fronting a 200-gig tour with
crowds of 50,000, is not a sympathetic character, with his mood
swings and his ocular cocaine habit. Insecure, lacking any
inhibition, he comes across
as repellent, cruel, soul-less and egocentric. We never hear him
sing, and look in vain for the charisma that attracts his fans. He's
given a typically gripping performance by James Christie: his
confession to his old friend and musical partner Johnny [Tom Tull, in
a nicely grounded performance] is painful to watch – especially so
close-up – as he begins to crack under the pressure. Effective
duologues with David his agent and his impecunious father, and
a demanding tour-de-force,
though perhaps too articulate for this offensive, foul-mouthed bully.
Laura
Bradley shines as
the star-struck mathematician Jenny who finally turns on her hero.
Jennifer Burchett is excellent
as the tragic Marnie, as well
as Marnie's mum and Nicola the groupie. Jade Flack makes the most of
the expat interviewer and other characters, including one of the
Babylon whores whose surreal interrogation of the singer is perhaps
an early sign of his breakdown. Echoed
in Act Two by the aggressive questioning in the nick.
Ian
Willingham paints an
impressive gallery of characters: the agent, Paul's old dad, the
maecenas
who likes Halliday …
Birdland
is directed for CTW by Ian Willingham and Danny Segeth.
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