WOMEN OF NOTE
Writtle
Singers at All Saints' Church
18.07.15
Celebrating
100 years of the Women's Institute, this
concert combined music by women composers [and others] with readings
charting the history of the movement and celebrating some notable
local ladies.
Bessie
Blount, Beryl Platt and Margaret Anstee were joined by Writtle-born
soprano April Cantelo and antipodean Dame Nellie Melba, who made
radio history on “Two Emma Toc Writtle”.
Fanny
Mendelssohn, sister of the more feted Felix, began the programme with
two songs; Lili Boulanger's Soir sur la Plaine was followed by two
charming piano duets by Cécile Chaminade, played by the Singers'
director Christine Gwynn and their accompanist Caroline Finlay.
Four
living composers were represented – Judith
Weir's Love Bade Me Welcome, a
lovely Upon Your Heart from Canadian Eleanor Daley, two pieces by
choral conductor Janette Ruocco:
a
beautifully delicate Psalm 23 and a Shakespeare setting, with solos
[for Puck and Oberon ?]. Ruocco
joined us in the audience, as did Cecilia McDowell whose moving motet
of Remembrance, Ave Maris Stella, originally commissioned by
Portsmouth Grammar School, closed the first half.
A
stirring Jerusalem, a cheeky Jericho and a political anthem set to
Men of Harlech. To finish, two songs about women – enjoyable
arrangements of Miss Otis and The Girl from Ipanema.
Lovely
settings, lovingly performed, with Writtle's usual attention to
detail both in interpretation and in programming: a worthy tribute to
the WI, five of whose members were on hand to read the extracts.
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