THE
HISTORY BOYS
Sell
a Door Theatre Company at the Arts Theatre Cambridge
09.07.2015
Hector's
trusty Triumph hangs ominously over the Sheffield classroom in Libby
Watson's touring set – flanked by two cartoonish signs: You Are
Here, and Hold On Tight.
Otherwise
the design is unremarkable, stackable furniture, bookshelves shading
into kitchen area [for the staffroom], posters collaged over the
walls and large double doors witness to the original Edwardian
architecture.
The
maverick English teacher may lock the doors, but passers-by can still
peer in, variously shocked, amused, intrigued by the goings on.
Kate
Saxon's production catches the mood of secrecy and complicity. The
play itself is an uneasy mix of styles and periods, in an educational
landscape where league tables and open scholarships are mentioned in
the same breath, foolscap paper is still in the stationery cupboard,
Porter and Piaf are on the playlist with the Eurythmics and the
Smiths [“our crap”] - the stunningly appropriate “when the
leather runs smooth on the passenger seat” …
An
excellent cast, especially the staff. Richard Hope is a believably
extravagant Hector, relishing the opportunities for showing off with
Shakespeare,
but touching too in his moments of self-doubt.
A
pompous, jobsworth
Headmaster from
Christopher Ettridge, a lovely Lintott from Susan Twist. We even see
[rather too much of] the femme fatale Fiona [Melody Brown]. Not so
sure about Mark Field's Irwin; a difficult duo to pull off, the young
student teacher and the tv historian.
The
boys a mixed bag – some, like David Young's “thick sod” Rudge a
little mature, even from the circle. But Kedar Williams-Stirling has
a compelling presence as the insolent chancer Dakin, Patrick MacNamee
is totally convincing as Lockwood, and Steven Roberts, his voice,
like the playwright's at that age, still with treble overtones, is a
superb Posner, singing the old songs, nervously snubbing the Drummer
Hodge hand of friendship, looking longingly on as Dakin lingers with
Irwin …
A
beautifully crafted production of a great play, with something to say
to everyone, whether
new
bugs in the Cutlers classroom or “those returning”, as the old
school hymn, has it “more faithful than before”.
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