Showing posts with label hutton and shenfield choral society. Show all posts
Showing posts with label hutton and shenfield choral society. Show all posts

Wednesday, December 27, 2017

MUSIC FOR CHRISTMAS 2017






MUSIC FOR CHRISTMAS 2017
Hutton & Shenfield Choral Society at the Brentwood Centre
23.12.17

Steeped in tradition and Christmas spirit, this musical treat heralds the start of the festivities for many.
Accompanied by the excellent Aurelian Symphony Orchestra, the choir gave us Rutter, of course: his Angels’ Carol, with Lynne Creasey’s harp, and the Shepherd’s Pipe Carol, with Ann Miller’s piccolo. Plus a toe-tapping I Saw Three Ships, and a splendid choral Jingle Bells. Carols for the audience, too, beginning, as custom dictates, with Once in Royal, and ending with Hark the Herald. They were conducted with infectious enthusiasm by Tim Hooper.
Guests included Santa Claus, descending through the audience to reward the children who’d just sung Away in a Manger. The choir from St Thomas of Canterbury, directed by Anna Dunn, with Tim Smith at the keyboard, singing some lovely, less familiar, Christmas songs, including Gonna Catch That Santa, complete with harmonies and hand movements. The children joined the adults for an arrangement of Calypso Carol, commissioned last year for the Society’s 50th anniversary.
Chelmsford Ballet Company revived some favourite moments from this year’s Civic production, Alice's Adventures – flocks of flamingos, packs of playing cards, Tweedles Dum and Dee, all dancing to Carl Davis’s score played live – and, as a foretaste of next year’s Snow Queen perhaps, Ice Maidens.

Graham Padden was the narrator for Philip Lane’s setting of The Night Before Christmas, and also for the highlight of the evening, a witty setting by Edward Watson of John Julius Norwich’s hilarious Twelve Days of Christmas. Hissing geese from the choir, swans from Paul Lockyer’s cello, drummers of course, but, thankfully no bagpipes, the chanter melody provided by the violin of Aurelian’s leader, Philippa Barton.


Tuesday, July 14, 2015

NELSON MASS

NELSON MASS
Hutton and Shenfield Choral Society at Chelmsford Cathedral

11.07.15


The link with Nelson may be tenuous, but this “Mass for Troubled Times” has remained popular since its première in 1798.
A good choice for choral societies, too, since the part of the chorus is prominent and dramatic. This performance began with a thrilling account of the instrumental introduction, followed by the Kyrie and Gloria, with the splendid soprano of Alexandra Kidgell joining the chorus.
Bass Simon Whiteley had his finest moment in the Qui Tollis, with a beautifully shaped choral “Miserere”. The Credo section, a masterpiece of composition, was well handled; the solemnity of “sepultus est” contrasted with the excitement of the Resurrexit, sustained to the end of the movement.
The choir, and the Aurelian Ensemble [leader Bradley Winand] under Tim Hooper, began the evening with two of Handel's greatest hits: Zadok the Priest – a splendidly magnificent curtain-raiser – and the Queen of Sheba, before giving a fine account of an earlier masterpiece, Purcell's birthday ode Come Ye Sons of Art, in which the countertenors – Tim Carleston and Joseph Cryan – made an authentic contribution, and the brass and drums of the orchestra added colour and brilliance. A large chorus for this repertoire, which did not always match the crisp delivery of the soloists, but, as in the Haydn and the Handel, made a richly textured sound in the sympathetic acoustic of Chelmsford's Cathedral.