Showing posts with label brentwood centre. Show all posts
Showing posts with label brentwood centre. Show all posts

Wednesday, December 27, 2017

MUSIC FOR CHRISTMAS 2017






MUSIC FOR CHRISTMAS 2017
Hutton & Shenfield Choral Society at the Brentwood Centre
23.12.17

Steeped in tradition and Christmas spirit, this musical treat heralds the start of the festivities for many.
Accompanied by the excellent Aurelian Symphony Orchestra, the choir gave us Rutter, of course: his Angels’ Carol, with Lynne Creasey’s harp, and the Shepherd’s Pipe Carol, with Ann Miller’s piccolo. Plus a toe-tapping I Saw Three Ships, and a splendid choral Jingle Bells. Carols for the audience, too, beginning, as custom dictates, with Once in Royal, and ending with Hark the Herald. They were conducted with infectious enthusiasm by Tim Hooper.
Guests included Santa Claus, descending through the audience to reward the children who’d just sung Away in a Manger. The choir from St Thomas of Canterbury, directed by Anna Dunn, with Tim Smith at the keyboard, singing some lovely, less familiar, Christmas songs, including Gonna Catch That Santa, complete with harmonies and hand movements. The children joined the adults for an arrangement of Calypso Carol, commissioned last year for the Society’s 50th anniversary.
Chelmsford Ballet Company revived some favourite moments from this year’s Civic production, Alice's Adventures – flocks of flamingos, packs of playing cards, Tweedles Dum and Dee, all dancing to Carl Davis’s score played live – and, as a foretaste of next year’s Snow Queen perhaps, Ice Maidens.

Graham Padden was the narrator for Philip Lane’s setting of The Night Before Christmas, and also for the highlight of the evening, a witty setting by Edward Watson of John Julius Norwich’s hilarious Twelve Days of Christmas. Hissing geese from the choir, swans from Paul Lockyer’s cello, drummers of course, but, thankfully no bagpipes, the chanter melody provided by the violin of Aurelian’s leader, Philippa Barton.


Sunday, July 13, 2014

THE ARMED MAN

THE ARMED MAN
Brentwood Arts Festival at Brentwood International Centre
12.07.14

Karl Jenkins' popular and accessible Mass for Peace made a perfect ending to Brentwood Arts Festival's commemoration of the Great War.
Rain on the roof, thunder overhead, and massed choirs behind the Brentwood Symphony Orchestra; it was a stirring occasion. Commissioned by the Royal Armouries for the Millennium, the work begins with distant trumpet and drums, explores mankind's destructive obsession with war using a variety of texts from many ages and diverse cultures and ends with an optimistic vision of peace from Revelation.
In the less than ideal acoustic of the Brentwood Centre's vast hall, Dryden's “thundering drum” fared particularly well, as did the more contemplative orchestral moments from solo cello, and the trumpeter's Last Post, following a great roar from the chorus, and preceding the moving “Angry Flames”. The massed choirs, too, made a splendid sound, in the rhythmic Sanctus, say, or the expansive [could be Korngold] Kipling setting. And the Brentwood Songsters Children's Choir, made its mark with Torches, from the Mahabharata.
The solo singers – no fewer than four in this performance – fared less well, and often struggled to reach the back of the audience. Mezzo Susan Marrs had a lovely moment, though, in “Silent, so silent now” from Guy Wilson's Now The Guns Have Stopped.
The massed choirs – Hutton and Shenfield Choral Society, Brentwood Choral Society, Howard Wallace Chorale, Bra-Vissima, Times and Seasons, Brentwood Songsters – and the augmented orchestra – Brentwood Philharmonic and Phoenix Youth Orchestra – were conducted by Tim Hooper.

An impressive curtain-raiser from the Royal British Legion Youth Band, who took us from Teddy Bears to Va Pensiero, and ended with a Great Wars Singalong and a patriotic medley.