Saturday, July 09, 2016

BYRD AND THE EUROPEAN FRINGE

BYRD AND THE EUROPEAN FRINGE
The Stondon Singers at Stondon Massey

05.07.16


William Byrd's celebratory Haec Dies was the curtain raiser to this anniversary concert, a fascinating collection of works, sacred and profane, by his contemporaries in Renaissance Europe.
Freedom of movement seems to have been no problem – Franco-Flemish or Scandinavian musicians migrating to find work in Italy or Spain, for instance. Such as Mogens Pederson, a Dane who met Gabrieli in Venice; we heard three of his delightful Italian madrigals.
Two settings of Vox in Rama: chromatic from Giaches de Wert, working in Spain, and exquisitely expressive from Polish composer Mikolaj Zielinski – fine singing from the Stondons under Christopher Tinker's direction. They also excelled in Byrd's Ave Verum of 1605, and in the nicely rounded sound of O Vos Omnes by one Robert Ramsey, who may have moved south from his native, independent Scotland in the retinue of his monarch in 1603.

A bonus on this glorious evening in Byrd's local church – lute music from Mike Ashley, with Annabel Malton soprano, including two contrasting pieces from another persistent Papist, master of melancholia John Dowland.

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