SING FOR THE
MORNING'S JOY
Writtle
Singers at All Saints Church
22.11.15
The
title for this concert – and the first words we heard sung – is
from Ursula Vaughan William's Hymn to St Cecilia, set by Herbert
Howells. The hymn seemed ideally suited to the chamber choir, as was
the same composer's Like As The Hart – a beautifully balanced
sound.
November
22 is St Cecilia's Day – we
heard the Britten/Auden
Hymn here a couple of Novembers ago – and also the date of the
first performance of Howells' “Take him, Earth, for cherishing”,
a piece commissioned for the memorial service for John F Kennedy,
assassinated exactly twelve months earlier. A dignified, deeply felt,
expression of grief and loss, confidently tackled by the a cappella
choir, augmented by the organist for the evening, Jonathan Dods, who
gave us an agile Dialogue by Peter Hurford, as well as Howells'
Master Tallis's Testament, a series of variations which grow in
complexity and intensity, brilliantly performed on this modest
instrument.
For
the final work director
Christine Gwynn chose Norman Caplin's Missa Omnium Sanctorum, a mass,
lively and reverential by turns, written for All Saints' Margaret
Street, with plenty of opportunity for solos and duets.
As
ever, Writtle Singers excelled in celebration of the serendipitous
and the lesser known, knowledgeably
introduced and convincingly
performed.
photograph
of All Saints' St Margaret's Street by David Nicholls
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