Showing posts with label sell a door theatre company. Show all posts
Showing posts with label sell a door theatre company. Show all posts

Tuesday, November 10, 2015

THE SILVER SWORD

THE SILVER SWORD
Sell a Door at the New Wolsey Theatre, Ipswich

04.11.2015
An ingenious adaptation of Ian Serrailler's much loved classic. Four refugee children make their perilous way across a Europe torn apart by war. The Balicki children are seeking their parents; they somewhat reluctantly agree to their friend Jan tagging along.
Migrant children fleeing conflict are sadly not unknown to today's young readers. There are many explicit parallels in Susie McKenna's stage version, including a heartfelt plea for us all to shoulder some of the responsibility for the welfare of these vulnerable victims of war.
But the human, often amusing, story does not feel like an appeal or a homily. It's given its structure by a rag-tag company of strolling players, actor/musicians who feel part of a tradition much older than Europe's political borders. “There's a place beside the fire for the teller of the tale,” they sing. And the tale they decide to tell is a story of hope, a risky adventure at the end of which “the luckiest girl in Europe” does indeed find the father and mother she lost in Warsaw.
Strong performances from a mostly young cast. Rachel Young is Ruth, struggling to keep her siblings together on the journey. And Tom Mackley is outstanding as Jan, a wayward, light-fingered liability on their quest.
The many adult roles are doubled. Nathan Turner is excellent as the kindly Ivan, Jim and Joe, “the optimistic voice of the occupation”. Alexander Knox plays Adam, as well as Major Hargreaves, whose Coward-ly solo number is a delightful pastiche, leading into a trio of “plunder” quartets, in which he manages to join the ranks of the Andrews Sisters.
Princess of the Brazen Mountain is another lovely song, led by local favourite Julian Harries, who plays Joseph, the father, amongst other roles. The music, by Steven Edis, suggests the folk tradition of Poland, and flows naturally from the narrative.
Back projection of historical photographs reminds us of the real people displaced by the fighting. Music and lighting combine to give an epic, expressionistic air to key moments.
The improvisatory feel is enhanced by the objets trouvés animal puppets by Scott Brooker: Ludwig the rag rug dog, Bistro the chimp, Jimpy the kitchen utensil cockerel.
A moving production, using the rough magic of theatre and story-telling to bring a gripping yarn to new audiences, and to remind us all of the innocent victims of war. Not all of whom can share the happy ending Serrailler gives to Ruth, Edek, Jan and Bronia.

Sunday, July 12, 2015

THE HISTORY BOYS

THE HISTORY BOYS
Sell a Door Theatre Company at the Arts Theatre Cambridge
09.07.2015

Hector's trusty Triumph hangs ominously over the Sheffield classroom in Libby Watson's touring set – flanked by two cartoonish signs: You Are Here, and Hold On Tight.
Otherwise the design is unremarkable, stackable furniture, bookshelves shading into kitchen area [for the staffroom], posters collaged over the walls and large double doors witness to the original Edwardian architecture.
The maverick English teacher may lock the doors, but passers-by can still peer in, variously shocked, amused, intrigued by the goings on.

Kate Saxon's production catches the mood of secrecy and complicity. The play itself is an uneasy mix of styles and periods, in an educational landscape where league tables and open scholarships are mentioned in the same breath, foolscap paper is still in the stationery cupboard, Porter and Piaf are on the playlist with the Eurythmics and the Smiths [“our crap”] - the stunningly appropriate “when the leather runs smooth on the passenger seat” …

An excellent cast, especially the staff. Richard Hope is a believably extravagant Hector, relishing the opportunities for showing off with Shakespeare, but touching too in his moments of self-doubt.
A pompous, jobsworth Headmaster from Christopher Ettridge, a lovely Lintott from Susan Twist. We even see [rather too much of] the femme fatale Fiona [Melody Brown]. Not so sure about Mark Field's Irwin; a difficult duo to pull off, the young student teacher and the tv historian.

The boys a mixed bag – some, like David Young's “thick sod” Rudge a little mature, even from the circle. But Kedar Williams-Stirling has a compelling presence as the insolent chancer Dakin, Patrick MacNamee is totally convincing as Lockwood, and Steven Roberts, his voice, like the playwright's at that age, still with treble overtones, is a superb Posner, singing the old songs, nervously snubbing the Drummer Hodge hand of friendship, looking longingly on as Dakin lingers with Irwin …

A beautifully crafted production of a great play, with something to say to everyone, whether new bugs in the Cutlers classroom or “those returning”, as the old school hymn, has it “more faithful than before”.