THE
INSANITY OF MARY GIRARD
Chelmsford
Theatre Workshop at the Old Court
29.01.13
Lanie
Robertson's 70s piece is a fictionalized treatment of a true story;
the message, as so often, is that people in the past [18th
century Philadelphia] had much to learn from their more civilised
descendants. Not much of a basis for history, but it does make for a
powerfully dramatic polemic. An unstable woman is incarcerated in an
asylum, purely on the word of her husband, who, she says, is
threatened by her love of life and the freedom of her mind.
A
challenging piece, not without its longueurs, but when taut writing
and physicality come together, as in the Prayer/Key sequence, it is
exciting, dangerous theatre.
Well
served by a fine, mostly young, company, working hard to keep the
impetus alive, with poor Mary played intelligently, touchingly, without histrionics,
by Hayley Kemp, making her CTW début in this rare revival. The piece
ends, provocatively, with her returning to the chair, embracing her
fate, eagerly awaiting the Sabbath spectators as the church bells
peal out in the darkness.
The
Assistant Director was Danny Segeth, with Catherine Hitchins as
Movement Consultant.
upper-arm tattoo of the Tranquillizing Chair by Jeff Johnson


